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Ein Weg zu einer neuen Musik mit dem Computer, in: Sprach Ton Art, Katalog zum Festival der Berliner Gesellschaft für Neue Musik, Berlin 1992 Xavier Rodet, Yves Potard, Jean-Baptiste Barriere, The CHANT Project: From the Synthesis of the Singing Voice to Synthesis in General) Xavier Rodet and Pierre Cointe, FORMES: Composition and Scheduling of Processes Xavier Rodet, SYNTHESIS AND PROCESSING OF THE SINGING VOICE Thema: Omaggio a Joyce (1958) tape (2ch) Allen B.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Peter Ablinger Peter Ablinger, IEAOV Instrumente und Elektro Akustisch Ortsbezogene Verdichtung (1997) Peter Ablinger, Konventionalität der Musik (1998) Peter Ablinger, Ausdruck / Sonate (2007) Milton Babbitt Milton Babbitt, Stephen Peles (Hrsg.), The Collected Essays Of Milton Babbitt John Cuciurean, Self-Similarity and Compositional Strategies in the Music of Milton Babbitt Robert Morris, Elementary Twelve-Tone Theory Milton Babbitt, "Who Cares if You Listen?

" Milton Babbitt, Twelve-Tone Invariants as Compositional Determinants Milton Babbitt, Twelve-Tone Rhythmic Structure And The Electronic Medium Cogluotobüsisletmesi (1978) Klavier Aufnahme Claudia Maria Zey "Çogluotobüsisletmesi und Autobusk - Zur stochastischen Kompositionstheorie von Clarence Barlow", Abbildungen (ZIP), Rhythmische Partitur AUTOBUSK, P-Art Journal No. Klarenz Barlows Computerprogramm AUTOBUSK Francois Bayle Sandra Desantos, Curtis Roads, Acousmatic Morphology: An Interview with Francois Bayle François Bayle.

Ruch, Thema (Omaggio a Joyce) Weiwei Lan, Die menschliche Sprache und Stimme im Spannungsfeld zwischen Klang- und Sprachkomposition, S.

40-46 Emily Snyder Laugesen, Construing text as music in Berio's "Thema (Omaggio a Joyce)" and Stockhausen's "Stimmung" Timothy S.




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